The scenographic setting was developed based on the occupation of the orchestral body in space, the impact on the objects and waves that flow around it. The kinetic movement that unfolds before an action. The carousel object that swings, and modifies the permeability, the transparency of the different planes.

A series of scenic devices of such flexibility, materiality and modulation for the necessary replicas. The place where it takes place is not a determining factor. A range of colors and materials that tells us about a date, a moment in history.

Status: Finalized Team: Luis Montoya, Benjamín Rubio Collaboration: Compañía opcional. Director Aristeo Mora de Anda Client: Aristeo Mora de Anda for Ministry of Culture of Jalisco State